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Helmed by Bristol sound co-founder the musician-producer, this scabrous though slight first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

Just a single important plot development, but it leads to a comically executed chaotic run on the forest trails that dips close to rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

Game releases in UK and Irish theaters from November 17.